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By Eliza Acton
Published 1845
The skin below the breast, called the apron, must first be cut off in a circular direction as indicated by the letters a a a, when a glass of port-wine or of claret, ready mixed with a teaspoonful of mustard, may be poured into the body or not, at choice. Some of the stuffing should then be drawn out with a spoon, and the neck of the goose, which Ought to be to the right and not to the left hand, as here, being turned a little towards the carver, the flesh of the breast should be sliced in the lines from b b b to c c c, on either side of the bone. The wings may then be taken off like those of any other bird, and then the legs, which, in the engraving No. 22, are trussed so completely under the apron as to render their outline scarcely distinguishable. Graceful and well-skilled carvers never turn birds on their sides to remove any of the joints, but those of a goose, unless it be very young, are sometimes severed from it with difficulty; and the common directions for assisting the process in that case are, to turn it on its side, and with the fork to press down the small end of the leg; then to pass the knife quite under it from the top down to the joint, when the leg should be turned back from the bird with the fork, while the thigh-bone is loosened from its socket with the knife. The end of the pinion marked d is then held down in the same manner, to facilitate the separation of the bones at e, from which point the knife is drawn under the wing, which it takes off. The merrythought of a goose is small, and, to remove it the knife must first be turned a little from the neck, after the flesh has been cut through, and then passed under it, back towards the neck. For the remainder of the carving, the directions for that of a fowl will suffice.
