Label
All
0
Clear all filters

The Renascence of Cookery in Scotland

Appears in

By F. Marian McNeill

Published 2015

  • About
‘Mere hunger, which is the best sauce, will not produce cookery, which is the art of sauces.’
Cookery aims, of course, at much more than merely supplying the necessities of nutrition. Its development is dependent on an increasing refinement of taste, which, in turn, is dependent on a certain degree of wealth and general culture. And if, as we have said, the art of a nation has its roots in the soil, it is equally axiomatic that external influences are necessary to foster its growth.

In cookery, as in all the arts, there is a continuous give-and-take among the nations. The Greeks, through their contact with Asia, added a touch of oriental splendour to their banquets;1 the Romans, forsaking their old simple ways, borrowed in turn from the Greeks. Then come the Dark Ages of Cookery, as of all culture, and not till the Renascence—then, too with Italy as the starting-point—does the history of modern cookery begin.2 Hitherto, sophisticated European cookery had remained ‘Gothic’ in character—abundant, costly and over-elaborate. Now began the transition from elaboration to elegance. Herbs and spices, for instance, were used no longer to disguise, but to enhance the natural flavour of a dish. This was indeed a gastronomic revolution.

Become a Premium Member to access this page

Download on the App Store
Pre-register on Google Play

Monthly plan

Annual plan

The licensor does not allow printing of this title